Poetry

I want to hold rain / Sneha Subramanian Kanta

Image by Anway Pawar.

Image by Anway Pawar.

The way my grandmother holds two countries

(

                                  )

charcoaled walls of night echo chamber ghosts

                               refugee rivers

                               refugee rivers

                               refugee rivers

what becomes of sky (       ) or the sleeve of a

nation on her batik printed saree. A bird fleets

over the pot of rice. My grandmother feeds the

bird. (                                     ) Soon, there are

more birds. There is enough for all birds.

She sings among wounded trees because a song

will carry through (            ) shattered windows.

What is a lullaby but a way to induce forgetting?

           a way to (         ) slumber after gloaming?

           These miles crave for the (                ) sky.

(                                                          ) Death

left in the rivers of bombed cities. Red-tile

railway stations with red-craters of the body.

She recounts Karachi as her sailboat. Bombay as

the harbor, a blur in the skyline, and smokeries.

Wide-leaf plants in a sesame-white porcelain vase.

Where did the rain carry from?

                               refugee rivers

                               refugee rivers

                               refugee rivers

Our rivers smell of cloves because they burn.

A deer climbs an upslope forest (                )

full of trellises careful not to step over them.

There is another gravity unacquainted to us.

A door opens when you cross rivers. Some

become a new country. Some become voices.

Some become forests. (

                                  ) Some become fields.

(                                 ) Some become rivers.

Sneha Subramanian Kanta is a writer from Canada. She was the Charles Wallace Fellow writer-in-residence (2018-19) at The University of Stirling. An awardee of the GREAT scholarship, as a research scholar at The University of Plymouth (2016-17), her dissertation concentrated on the paradigms of comparative literature with emphasis to postcolonial ecocriticism in the works of Arundhati Roy and Amitav Ghosh. She is a recipient of Poets on the Coast Fellowship (2020). She is also the founding editor of Parentheses Journal.