Poetry

Techniques for Becoming a Mountain / Debbie Lim

After Helen Mort

Photo by Sergi Ferrete on Unsplash.

Photo by Sergi Ferrete on Unsplash.

It’s easy enough to become a mountain. 
Simply meditate on the invisible 
point beyond their faces. Soon attentions 
like crampons will loosen, you’ll hear 

brittle-ant voices slip and fall away 
like scree. You must remain perfectly still 
until new mists rise off your shoulders, 
your hips roll down to stony flanks, 

your hair acquires the rope-like qualities 
of gorse. When your once-warm cheek 
keeps re-forming a slow lick of ice, 
you’ll know you’re not far from your 

impervious zone. At some stage you may 
notice that your shoes have filled 
with rocks. But there is no need to travel 
anymore and now your body trawls 

a dress of dark moraines. Ignore rumours 
of children tucked deep in blue crevasses. 
That singing is the sound the wind makes
blown through your empty fissures. 

Regard the smallest, most unassuming 
stone. Every mountain must learn to minimise 
sudden movements, expansive gestures. 
Bivouac your heart above the tree line—

never look down.                                                   

Debbie Lim was born and lives in Sydney. Her poems have appeared regularly in the Best Australian Poems series (Black Inc.) and various anthologies including Contemporary Asian Australian Poets (Ed. Aitken, Boey & Cahill, Puncher & Wattmann). She was commended in the UK Poetry Society National Poetry Competition 2013. Her chapbook, Beastly Eye, was published by Vagabond Press (Australia) and she is working on a full-length collection.